Henry Lawson (1867–1922) is widely regarded as
one of Australia's greatest short story writers and poets. Born in a small town
called Grenfell in New South Wales, Lawson’s life and writing were deeply
influenced by the harsh realities of bush life and the struggles of ordinary
people. He grew up in poverty, experienced the challenges of rural living
firsthand, and became partially deaf at the age of nine—a condition that
isolated him from his peers but deepened his focus on storytelling and
literature.
Lawson's writing is marked by its realism, dry
humor, and deep sympathy for the underprivileged. He portrayed the Australian
outback not as a romantic frontier but as a place of loneliness, hardship, and
resilience. His works often focused on drovers, shearers, swagmen, and
struggling families—people trying to survive in a harsh and unforgiving land.
This approach made him a powerful voice for the common man.
Lawson was often compared to Banjo Paterson,
another major Australian writer, but while Paterson romanticized the bush,
Lawson portrayed its grim realities. The two even engaged in a poetic
"bulletin debate" through the pages of The Bulletin magazine, showcasing their contrasting views.
Despite his literary success, Lawson’s life
was troubled. He battled alcoholism, poverty, and depression throughout his
later years. He died in 1922 in Sydney, and was given a state funeral—an honor
that reflected his impact on Australian literature and culture.
Today,
Henry Lawson remains a central figure in Australia's literary heritage. His
works are studied in schools, and his ability to capture the soul of a young,
developing nation ensures that his legacy lives on. Through his poignant and
honest depictions, Lawson gave a voice to those who had none—and helped shape
the Australian identity.
'Where are you going with your horse and bike,
And the townsfolk still at rest?
Where are you going, with your swag and pack,
And the night still in the West?
Your clothes are worn, and your cheques are gone,
But your eyes are free from care?”
“We’re bushmen down for a spree in town,
And we’re bound for the Lord-knows-where,
Old chap—we’re bound for the Lord-knows-where.”
(There are great dark scrubs in the Lord-knows-where,
Where they fight it out alone,
There are wide wide plains in the Lord-knows-where,
Where a man’s soul is his own.
There is healthy work, there is healthy rest,
There is peace from self-torture there,
And the glorious freedom from paltriness!
And they’re bound for the Lord-knows-where.)
“Now, where are you going in your Sunday suit,
And a bag for your second best?
Now where are you going with your chest of tools,
And the old togs in the chest?
With your six clean shirts and a pound of ‘weed’,
And enough for a third-class fare?”
“Oh! I’ll be afloat by the very next boat,
And I’m bound for the Lord-knows-where,
Old chap—I’m bound for the Lord-knows-where.”
(There are wide wide seas to the Lord-knows-where,
Where a man might have a spell,
The things turn up in the Lord-knows-where that
We waited for too well.
There’s a stranger land in the Lord-knows-where,
And a show for the stranger there.
There is war and quake more work to make,
And he’s bound for the Lord-knows-where.)
“Now where are you going with your Gladstone bag,
With your shirt-case and valise?
Now where are you going with your cap and shoes,
And your looks of joyful peace?
Now where are you going with your money belts,
And your drafts on the first bank there?”
“’We have made a hit,’ or ‘we’ve made a bit,’
And we’re bound for the Lord-knows-where,
Old chap—we’re bound for the Lord-knows-where.”
(There are sinful ports in the Lord-knows-where,
There are marvellous sights to see,
There are high old games in the Lord-knows-where,
That were known to you and me.
There is love and music, and life and light from
The Heads to “Lester” Square,
There is more than space for their high young hearts
There is safety or danger there,
And they’ll come back wild, or they’ll come back tamed
When they’ve been to the Lord-knows-where.)
“Now where am I going with my whisky flask,
And with little else beside?
Now where am I going with my second shirt,
To wear while the first is dried?
I have marred my name, and I’ve lost my fame,
But my hope’s in good repair.
There are lies about, there are warrants out—
And I’m bound for the Lord-knows-where,
Old Chap—and I’m bound for the Lord-knows-where.”
(There’s a rise and fall of the sloping decks,
That is good for a soul in pain;
There’s the drowsy rest on the sunlight sea
Till your strength comes back again.
Oh, the wild mad spirit is hypnotized,
And nerves are tranquil there,
And the past is hushed in forgetfulness,
On the road to the Lord-knows-where.)
'Broken Axletree'
On the Track of Grand Endeavour, on the long track out to Bourke,
Past the Turn-Back, and past Howlong, and the pub at Sudden Jerk,
Past old Bullock-Yoke and Bog Flat, and the “Pinch” at Stick-to-me,
Lies the camp that we have christened—christened “Broken Axletree.”
We were young and strong and fearless, we had not seen Mount Despair,
And the West was to be conquered, and we meant to do our share;
We were far away from cities, and were fairly off the spree
When we camped at Cart Wheel River with a broken axletree.
Oh, the pub at Devil’s Crossing! and the woman that he sent!
And the hell for which we bartered horse and trap and “traps” and tent!
And the black “Since Then”—the chances that we never more may see—
Ah! the two lives that were ruined for a broken axletree!
“Fate” is but a Cart Wheel River, placed to test us by the Lord,
And the Star of Live Forever shines beyond At Blacksmith’s Ford!
Shun all fatalists and “isms”—heed no talk of “destiny”!
Ride a race for life to Blacksmith’s with your broken axletree.
'Fall In, My Men, Fall In'
The short hour's halt is ended,
The red gone from the west,
The broken wheel is mended,
And the dead men laid to rest.
Three days have we retreated
The brave old Curse-and-Grin –
Outnumbered and defeated –
Fall in, my men, fall in.
Poor weary, hungry sinners,
Past caring and past fear,
The camp-fires of the winners
Are gleaming in the rear.
Each day their front advances,
Each day the same old din,
But freedom holds the chances –
Fall in, my men, fall in.
Despair's cold fingers searches
The sky is black ahead,
We leave in barns and churches
Our wounded and our dead.
Through cold and rain and darkness
And mire that clogs like sin,
In failure in its starkness –
Fall in, my men, fall in.
We go and know not whither,
Nor see the tracks we go –
A horseman gaunt shall tell us,
A rain-veiled light shall show.
By wood and swamp and mountain,
The long dark hours begin –
Before our fresh wounds stiffen –
Fall in, my men, fall in.
With old wounds dully aching –
Fall in, my men, fall in –
See yonder starlight breaking
Through rifts where storm clouds thin!
See yonder clear sky arching
The distant range upon?
I'll plan while we are marching –
Move on, my men - march on!
'Knocking Around'
WEARY old wife, with the bucket and cow,
‘How’s your son Jack? and where is he now?’
Haggard old eyes that turn to the west—
‘Boys will be boys, and he’s gone with the rest!’
Grief without tears and grief without sound;
‘Somewhere up-country he’s knocking around.’
Knocking around with a vagabond crew,
Does for himself what a mother would do;
Maybe in trouble and maybe hard-up,
Maybe in want of a bite or a sup;
Dead of the fever, or lost in the drought,
Lonely old mother! he’s knocking about.
Wiry old man at the tail of the plough,
‘Heard of Jack lately? and where is he now?’
Pauses a moment his forehead to wipe,
Drops the rope reins while he feels for his pipe,
Scratches his grey head in sorrow or doubt:
‘Somewheers or others he’s knocking about.’
Knocking about on the runs of the West,
Holding his own with the worst and the best
Breaking in horses and risking his neck,
Droving or shearing and making a cheque;
Straight as a sapling—six-foot and sound,
Jack is all right when he’s knocking around.
'Here Died'
There's many a schoolboy's bat and ball that are gathering dust at home,
For he hears a voice in the future call, and he trains for the war to come;
A serious light in his eyes is seen as he comes from the schoolhouse gate;
He keeps his kit and his rifle clean, and he sees that his back is straight.
But straight or crooked, or round, or lame – you may let these words take root;
As the time draws near for the sterner game, all boys should learn to shoot,
From the beardless youth to the grim grey-beard, let Australians ne'er forget,
A lame limb never interfered with a brave man's shooting yet.
Over and over and over again, to you and our friends and me,
The warning of danger has sounded plain – like the thud of a gun at sea.
The rich man turns to his wine once more, and the gay to their worldly joys,
The "statesman" laughs at a hint of war – but something has told the boys.
The schoolboy scouts of the White Man's Land are out on the hills to-day;
They trace the tracks from the sea-beach sand and sea-cliffs grim and grey;
They take the range for a likely shot by every cape and head,
And they spy the lay of each lonely spot where an enemy's foot might tread.
In the cooling breeze of the coastal streams, or out where the townships bake,
They march in fancy, and fight in dreams, and die for Australia's sake.
They hold the fort till relief arrives, when the landing parties storm,
And they take the pride of their fresh young lives in the set of a uniform.
Where never a loaded shell was hurled, nor a rifle fired to kill,
The schoolboy scouts of the Southern World are choosing their Battery Hill.
They run the tapes on the flats and fells by roads that the guns might sweep,
They are fixing in memory obstacles where the firing lines shall creep.
They read and they study the gunnery - they ask till the meaning's plain,
But the craft of the scout is a simple thing to the young Australian brain.
They blaze the track for a forward run, where the scrub is everywhere,
And they mark positions for every gun and every unit there.
They trace the track for a quick retreat – and the track for the other way round,
And they mark the spot in the summer heat where the water is always found.
They note the chances of cliff and tide, and where they can move, and when,
And every point where a man might hide in the days when they'll fight as men.
When silent men with their rifles lie by many a ferny dell;
And turn their heads when a scout goes by, with a cheery growl "All's well";
And scouts shall climb by the fisherman's ways, and watch for a sign of ships,
With stern eyes fixed on the threatening haze where the blue horizon dips.
When men shall camp in the dark and damp by the bough-marked battery,
Between the forts and the open ports where the miners watch the sea;
And talk perhaps of their boy-scout days, as they sit in their shelters rude,
While motors race to the distant bays with ammunition and food.
When the city alight shall wait by night for news from a far-out post,
And men ride down from the farming town to patrol the lonely coast –
Till they hear the thud of a distant gun, or the distant rifles crack,
And Australians spring to their arms as one to drive the invaders back.
There'll be no music or martial noise, save the guns to help you through,
For a plain and shirt-sleeve job, my boys, is the job that we'll have to do.
And many of those who had learned to shoot – and in learning learned to teach –
To the last three men, and the last galoot, shall die on some lonely beach.
But they'll waste their breath in no empty boast, and they'll prove to the world their worth,
When the shearers rush to the Eastern Coast, and the miners rush to Perth.
And the man who fights in a Queenscliff fort, or up by Keppel Bay,
Will know that his mates at Bunbury are doing their share that day.
There was never a land so great and wide, where the foreign fathers came,
That has bred her children so much alike, with their hearts so much the same.
And sons shall fight by the mangrove creeks that lie on the lone East Coast,
Who never shall know (or not for weeks) if the rest of Australia's lost.
And far in the future (I see it well, and born of such days as these),
There lies an Australia invincible, and mistress of all her seas;
With monuments standing on hill and head, where her sons shall point with pride
To the names of Australia's bravest dead, carved under the words "Here died."
'Tambaroora Jim'
He never drew a sword to fight a dozen foes alone,
Nor gave a life to save a life no better than his own.
He lived because he had been born—the hero of my song—
And fought the battle with his fist whene’er he fought a wrong.
Yet there are many men who would do anything for him—
A simple chap as went by name of ‘Tambaroora Jim.’
He used to keep a shanty in the ‘Come-and-find-it Scrub,’
And there were few but knew the name of Tambaroora’s pub.
He wasn’t great in lambing down, as many landlords are,
And never was a man less fit to stand behind a bar—
Off-hand, as most bush natives are, and freckled, tall, and slim,
A careless native of the land was ‘Tambaroora Jim.’
When people said that loafers took the profit from his pub,
He’d ask them how they thought a chap could do without his grub;
He’d say, ‘I’ve gone for days myself without a bite or sup—
‘Oh! I’ve been through the mill and know what ’tis to be hard-up.’
He might have made his fortune, but he wasn’t in the swim,
For no one had a softer heart than ‘Tambaroora Jim.’
One dismal day I tramped across the Come-and-find-it Flats,
With ‘Ballarat Adolphus’ and a mate of ‘Ballarat’s’;
’Twas nearly night and raining fast, and all our things were damp,
We’d no tobacco, and our legs were aching with the cramp;
We couldn’t raise a cent, and so our lamp of hope was dim;
And thus we struck the shanty kept by ‘Tambaroora Jim.’
We dropped our swags beneath a tree, and squatted in despair,
But Jim came out to watch the rain, and saw us sitting there;
He came and muttered, ‘I suppose you haven’t half -a-crown,
‘But come and get some tucker, and a drink to wash it down.’
And so we took our blueys up and went along with him,
And then we knew why bushmen swore by ‘Tambaroora Jim.’
We sat beside his kitchen fire and nursed our tired knees,
And blessed him when we heard the rain go rushing through the trees.
He made us stay, although he knew we couldn’t raise a bob,
And tuckered us until we made some money on a job.
And many times since then we’ve filled our glasses to the brim,
And drunk in many pubs the health of ‘Tambaroora Jim.’
A man need never want a meal while Jim had ‘junk’ to carve,
For ‘Tambaroora’ always said a fellow couldn’t starve.
And this went on until he got a bailiff in his pub,
Through helping chaps as couldn’t raise the money for their grub.
And so, one rainy evening, as the distant range grew dim,
He humped his bluey from the Flats—did ‘Tambaroora Jim.’
I miss the fun in Jim’s old bar—the laughter and the noise,
The jolly hours I used to spend on pay-nights with the boys.
But that’s all past, and vain regrets are useless, I’ll allow;
They say the Come-and-find-it Flats are all deserted now.
Poor ‘Tambaroora’s’ dead, perhaps, but that’s all right with him,
Saint Peter cottons on to chaps like ‘Tambaroora Jim.’
I trust that he and I may meet where starry fields are grand,
And liquor up together in the pubs in spirit-land.
But if you chance to drop on Jim while in the West, my lad,
You won’t forget to tell him that I want to see him bad.
I want to shake his hand again—I want to shout for him—
I want to have a glass or two with ‘Tambaroora Jim.’
All Ashore!
The rattling ‘donkey’ ceases,
The bell says we must part,
You long slab of good-nature,
And poetry and art!
We’ll miss your smile in Sydney,
We’ll miss your care-free air;
Where care-free airs are needed
And grins are growing rare,
Good Health! Good pay! Good liquor,
And good pals, night and day,
Good morning and good evening –
God bless you, Hugh McCrae!
'Jack Robertson'
HOW OFT in public meetings past,
Where sense was not and talk was loud,
We caught a glimpse of long white hair
Upon the outskirts of the crowd;
And then the tide of talk ebbed back,
While here and there above the din,
A workman cried, “Here’s old Sir Jack,”
And made a path to let him in.
Now Peter sitting at the gate,
While crowds of souls are waiting there,
Perchance upon the outer fringe
May catch a glimpse of silvery hair;
While some rough soul who went from here
To that great meeting in the blue
Will cry aloud, “Here’s old Sir Jack,”
And make a path to let him through.
'Victor'
AND his death came in December,
When our summer was aglow—
Like a song that we remember,
Like a child’s dream long ago,
And it brought Australia to him,
Her sweetest singer dead,
While in silence friends who knew him
Bowed their heads beside his bed.
Angel Death comes softly stealing
When the watchers’ eyes are dim,
And, when all has failed in healing
Wounded heart or helpless limb—
With a whisper we may hear not
’Till with “Adsum” we respond,
And a vision we shall fear not
Of the Peaceful Land beyond.
While Australians in their blindness
Fail to realize their loss,
Place the wreath of loving kindness
And raise the simple cross.
For he taught us to be brothers
And he taught us to be brave—
And we’ll banish pride and envy
With a hand-clasp by his grave.
'Knocking Around'
WEARY old wife, with the bucket and cow,
‘How’s your son Jack? and where is he now?’
Haggard old eyes that turn to the west—
‘Boys will be boys, and he’s gone with the rest!’
Grief without tears and grief without sound;
‘Somewhere up-country he’s knocking around.’
Knocking around with a vagabond crew,
Does for himself what a mother would do;
Maybe in trouble and maybe hard-up,
Maybe in want of a bite or a sup;
Dead of the fever, or lost in the drought,
Lonely old mother! he’s knocking about.
Wiry old man at the tail of the plough,
‘Heard of Jack lately? and where is he now?’
Pauses a moment his forehead to wipe,
Drops the rope reins while he feels for his pipe,
Scratches his grey head in sorrow or doubt:
‘Somewheers or others he’s knocking about.’
Knocking about on the runs of the West,
Holding his own with the worst and the best
Breaking in horses and risking his neck,
Droving or shearing and making a cheque;
Straight as a sapling—six-foot and sound,
Jack is all right when he’s knocking around.
A Study in the 'Nood'
He was bare—we don’t want to be rude—
(His condition was owing to drink)
They say his condition was nood,
Which amounts to the same thing, we think
(We mean his condition, we think,
’Twas a naked condition, or nood,
Which amounts to the same thing, we think)
Uncovered he lay on the grass
That shrivelled and shrunk; and he stayed
Three hot summer days, while the glass
Was one hundred and ten in the shade.
(We nearly remarked that he laid,
But that was bad grammar we thought—
It does sound bucolic, we think
It smacks of the barnyard—
Of farming—of pullets in short.)
Unheeded he lay on the dirt;
Beside him a part of his dress,
A tattered and threadbare old shirt
Was raised as a flag of distress.
(On a stick, like a flag of distress—
Reversed—we mean that the tail-end was up
half-mast—on a stick—an evident flag of distress.)
Perhaps in his dreams he persood
Bright visions of heav’nly bliss;
And artists who study the nood
Never saw such a study as this.
The ‘luggage’ went by and the guard
Looked out and his eyes fell on Grice—
We fancy he looked at him hard,
We think that he looked at him twice.
They say (if the telegram’s true)
When he woke up he wondered (good Lord!)
‘Why the engine-man didn’t heave to—
‘Why the train didn’t take him aboard.’
And now, by the case of poor Grice,
We think that a daily express
Should travel with sunshades and ice,
And a lookout for flags of distress.
