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Poetry of langston hughes | Poems by langston hughes

Langston Hughes: Voice of the Harlem Renaissance

Langston Hughes (1902–1967) was one of the most influential African American poets, playwrights, and social activists of the 20th century. He is best known as a leading figure of the Harlem Renaissance, a cultural movement in the 1920s and 1930s that celebrated African American art, music, and literature. Through his writings, Hughes gave voice to the everyday struggles, joys, dreams, and resilience of Black Americans.

Born James Mercer Langston Hughes in Joplin, Missouri, Hughes experienced a difficult childhood marked by his parents' separation and frequent moves. He lived in several places, including Kansas, Illinois, and Mexico. Despite these challenges, Hughes developed a deep love for books and writing from an early age. He later studied at Columbia University but left due to racial prejudice and dissatisfaction, though he would continue to write and travel extensively.

Hughes’s first major breakthrough came in 1921 when his poem "The Negro Speaks of Rivers" was published in The Crisis, a magazine edited by W.E.B. Du Bois. The poem celebrates the deep cultural history and spiritual strength of African people, symbolized through rivers like the Nile and the Mississippi. It marked the beginning of his lifelong mission to celebrate Black identity through literature.



His first poetry collection, "The Weary Blues" (1926), showcased his signature style: a rhythmic, musical language deeply influenced by jazz and blues. Hughes often wrote in the vernacular of the people, capturing the speech and soul of ordinary Black Americans. This made his work widely accessible and emotionally powerful.

Unlike some intellectuals of the Harlem Renaissance who distanced themselves from the working class, Hughes embraced Black life in all its forms—whether it was the joy of music and dance or the pain of poverty and racism. His poetry often addressed social issues such as segregation, injustice, and economic inequality. Yet he did so with hope and pride, never losing faith in the power of the Black community.

Some of his most famous poems include "I, Too," which asserts African Americans' rightful place in the American story, and "Harlem", which asks what happens to a dream deferred—possibly exploding into revolution. These works continue to resonate with readers around the world for their emotional intensity and social relevance.

In addition to poetry, Hughes wrote short stories, novels, plays, and essays. His character Jesse B. Semple (or "Simple") became popular in newspaper columns for his witty, streetwise commentary on race and politics. Hughes also wrote children's books, anthologies, and translated works from other cultures, emphasizing unity and justice.

Langston Hughes died in 1967, but his legacy lives on. His fearless honesty, lyrical talent, and devotion to social justice made him not just a literary icon, but a voice for equality and humanity. He helped define Black literature in America and inspired countless writers, artists, and activists who followed. As Hughes once wrote, "I swear to the Lord, I still can't see / Why Democracy means / Everybody but me." Through words like these, he helped America see itself more clearly.

Acceptance


God in His infinite wisdom
Did not make me very wise-
So when my actions are stupid
They hardly take God by surprise

April Rain Song


Let the rain kiss you
Let the rain beat upon your head with silver liquid drops
Let the rain sing you a lullaby
The rain makes still pools on the sidewalk
The rain makes running pools in the gutter
The rain plays a little sleep song on our roof at night
And I love the rain.

Ardella

I would liken you
To a night without stars
Were it not for your eyes.
I would liken you
To a sleep without dreams
Were it not for your songs.


Bad Morning

Here I sit
With my shoes mismated.
Lawdy-mercy!
I's frustrated!


Cross

My old man's a white old man
And my old mother's black.
If ever I cursed my white old man
I take my curses back.
If ever I cursed my black old mother
And wished she were in hell,
I'm sorry for that evil wish
And now I wish her well
My old man died in a fine big house.
My ma died in a shack.
I wonder were I'm going to die,
Being neither white nor black?

Democracy

Democracy will not come
Today, this year
  Nor ever
Through compromise and fear.

I have as much right
As the other fellow has
 To stand
On my two feet
And own the land.

I tire so of hearing people say,
Let things take their course.
Tomorrow is another day.
I do not need my freedom when I'm dead.
I cannot live on tomorrow's bread.

     Freedom
     Is a strong seed
     Planted
     In a great need.

     I live here, too.
     I want freedom
     Just as you.


Cycle

So many little flowers
Drop their tiny heads
But newer buds come to bloom
In their place instead.
I miss the little flowers
That have gone away.
But the newly budding blossoms
Are equally gay.


Demand

Listen!
Dear dream of utter aliveness-
Touching my body of utter death-
Tell me, O quickly! dream of aliveness,
The flaming source of your bright breath.
Tell me, O dream of utter aliveness-
Knowing so well the wind and the sun-
Where is this light
Your eyes see forever?
And what is the wind
You touch when you run?


God

I am God—
Without one friend,
Alone in my purity
World without end.
Below me young lovers
Tread the sweet ground—
But I am God—
I cannot come down.
Spring!
Life is love!
Love is life only!
Better to be human
Than God—and lonely.


Justice

That Justice is a blind goddess
Is a thing to which we black are wise:
Her bandage hides two festering sores
That once perhaps were eyes.


Life Is Fine

I went down to the river,
I set down on the bank.
I tried to think but couldn't,
So I jumped in and sank.

I came up once and hollered!
I came up twice and cried!
If that water hadn't a-been so cold
I might've sunk and died.

    But it was      Cold in that water!      It was cold!

I took the elevator
Sixteen floors above the ground.
I thought about my baby
And thought I would jump down.

I stood there and I hollered!
I stood there and I cried!
If it hadn't a-been so high
I might've jumped and died.

    But it was      High up there!      It was high!

So since I'm still here livin',
I guess I will live on.
I could've died for love—
But for livin' I was born

Though you may hear me holler,
And you may see me cry—
I'll be dogged, sweet baby,
If you gonna see me die.


Jazzonia

Oh, silver tree!
Oh, shining rivers of the soul!

In a Harlem cabaret
Six long-headed jazzers play.
A dancing girl whose eyes are bold
Lifts high a dress of silken gold.

Oh, singing tree!
Oh, shining rivers of the soul!

Were Eve's eyes
In the first garden
Just a bit too bold?
Was Cleopatra gorgeous
In a gown of gold?

Oh, shining tree!
Oh, silver rivers of the soul!

In a whirling cabaret
Six long-headed jazzers play.

Dream Deferred


What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?

Langston Hughes – Full Biography

Name: James Mercer Langston Hughes
Born: February 1, 1902 – Joplin, Missouri, USA
Died: May 22, 1967 – New York City, USA
Occupation: Poet, Novelist, Playwright, Columnist, Social Activist
Notable Movement: Harlem Renaissance

🧒 Early Life and Education:

Langston Hughes was born in Joplin, Missouri, to James Nathaniel Hughes and Carrie Langston Hughes. His parents separated when he was very young, and his father eventually moved to Mexico due to racial prejudice in the United States. Langston was raised mainly by his maternal grandmother, Mary Langston, in Lawrence, Kansas. His grandmother instilled in him a sense of racial pride and introduced him to African American history and culture.

After his grandmother’s death, Hughes lived with his mother and her new husband in several cities. He graduated from high school in Cleveland, Ohio, where he began writing poetry. His first published poem appeared in his school magazine.

In 1921, Hughes enrolled at Columbia University in New York City but left after a year due to racial tension and lack of interest in the engineering degree his father had insisted on. However, his time in Harlem deeply influenced his writing and introduced him to the Harlem Renaissance movement.

️ Travels and Early Career:

Hughes took various odd jobs and traveled widely in his early adulthood. He worked on ships that took him to Africa and Europe. During this period, he continued writing and publishing poems. One of his earliest and most famous poems, “The Negro Speaks of Rivers”, was published in The Crisis magazine in 1921 and received high praise.

In 1926, his first book of poetry, "The Weary Blues", was published. It introduced his jazz-influenced poetic voice and explored Black life in America with empathy, humor, and pride.

🖋️ Literary Contributions:

Langston Hughes became known as the “Poet Laureate of Harlem.” He wrote across many genres:

  • Poetry: Hughes's poetry combined everyday language with the rhythms of blues and jazz. He celebrated the lives of working-class African Americans and often wrote about racial injustice. Notable poems include:
    • “I, Too”
    • “Harlem” (“What happens to a dream deferred?”)
    • “Let America Be America Again”
  • Fiction: Hughes published several short stories and novels. His character Jesse B. Semple, known as "Simple," became the star of a popular newspaper column and series of stories reflecting Black urban life.
  • Plays and Essays: Hughes wrote plays like “Mulatto” and co-wrote several theatrical works that highlighted African American culture and politics.
  • Children’s Books and Anthologies: Hughes also wrote books for children and edited collections of African American writing and folklore.

🗣️ Political and Social Views:

Langston Hughes was deeply involved in politics, though he never officially joined a political party. He was sympathetic to socialism and spoke out against racism, imperialism, and injustice. His poem “Let America Be America Again” reveals his belief in the promise of America, though unfulfilled for many, especially Black citizens.

During the McCarthy era, Hughes was questioned by the Senate for his political views and writings, but he avoided direct accusations by explaining the artistic nature of his work.

🎓 Honors and Legacy:

Though he struggled financially throughout much of his life, Hughes received numerous honors later in his career, including:

  • Guggenheim Fellowship (1935)
  • NAACP Spingarn Medal (1960)
  • Honorary doctorates from Howard University and Western Reserve University
  • A residence at Harlem’s Schomburg Center named after him
  • His ashes interred beneath the “Rivers” mosaic at the Schomburg Center in Harlem

🕊️ Death:

Langston Hughes died on May 22, 1967, from complications related to prostate cancer. He was 65 years old. He never married and had no children. His funeral was attended by major literary and political figures.

🌟 Legacy:

Langston Hughes’s work continues to inspire poets, writers, and activists. He remains one of the most celebrated voices in American literature—especially for his role in shaping African American identity through words. Hughes believed in the beauty, dignity, and power of Black life, and he dedicated his career to making that visible to the world.

His writing, rich with rhythm, spirit, and honesty, endures today as a testament to the enduring power of words to fight injustice and celebrate humanity.

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